The End of the World as We Know It by Stephen King

by Christopher Golden, Brian Keene

The first authorized return to Stephen King’s The Stand—this New York Times Bestseller brings together visionary writers like Josh Malerman and Paul Tremblay to explore Captain Trips’ aftermath. Fresh stories. King’s introduction. A thrilling expansion of horror’s most iconic apocalypse.

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Step into the harrowing, hopeful world of Stephen King’s apocalyptic masterpiece with this extraordinary anthology. The End of the World As We Know It marks the first time King has fully authorized a return to The Stand—and what a return it is.

Editors Christopher Golden and Brian Keene have assembled an impressive roster of today’s most visionary writers to explore the aftermath of Captain Trips and the battle between good and evil that follows. This New York Times Bestseller and USA Today Bestseller features all-new stories that expand King’s iconic universe, offering fresh perspectives on civilization’s collapse and rebirth.

What makes this collection essential? The sheer breadth of talent. From Wayne Brady and Maurice Broaddus to Josh Malerman, Paul Tremblay, and Catriona Ward, these contributors bring their unique voices to King’s world while honoring the spirit of the original. Each story stands alone while deepening your connection to The Stand‘s unforgettable landscape of hope and horror.

Whether you’re a longtime devotee of King’s work or discovering this universe for the first time, this anthology offers something rare: authorized stories that capture the essence of what made The Stand a cultural touchstone. With an introduction by Stephen King himself, plus a foreword and afterword from the editors, this is more than a companion piece—it’s a testament to the enduring power of one of horror’s greatest tales.

Perfect for fans of post-apocalyptic fiction, horror anthologies, and anyone who believes stories can help us face our darkest fears.

What The Critics Are Saying

A stellar anthology that honors King's masterpiece while carving out its own identity. These stories capture the heart of The Stand—the terror, the hope, and the humanity.

Publishers Weekly

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